Welcome and Right On!
To your left you will notice two new additions to my blogroll. The first is a good friend from college, and bad-ass-bassist, Mark. Mark and I spent a fair amount of time together back at the day, between Jazz Band, Jazz Combo, and just hanging out. We have been out of touch for too long a time, and I was pleased the other day when I found out that a mysterious e-mail was in fact from Mark.
The second is Mix-Master-Dorf (aka Patrick Mixdorf). I'm not sure if I am the first to refer to Pat with this moniker, but I am taking credit for it. I know Pat from a few meetings via mutual friends, tall tales, and numerous e-mail threads. His is a brand-spanking-new weblog.
Both of these fine individuals responded to the list of 100 albums I noted below, and both shared my viewpoint, and expressed it in a much better fashion than I. Mark's response is here, and I think Pat attempted a response in the comments at the bottom of the list, but I do not see it there, so I will add it at the end of this post.
What really bugged me about the list, which I completely neglected to note in my previous post, was the hypocrisy. He claims to impart upon us his infinite wisdom of why these albums are undeserving. In doing so he takes on the roll of the music critics he reviles. He is a music snob. His reason for disliking so many of these albums is that they, in his opinion, don't live up to the hype that other music snobs attach to them. I hope my response did not come across as so much music snobbery, as me offering my opinion. Many, many people that I hold in very high regard often exhibit what I consider questionable taste in music. But that's OK.
Here is the Response of Mix-Master-Dorf.
Like the music critics you claim to revile, your self-righteous and patently self-gratifying attempt at telling people what music they should enjoy comes across as mean spirited and most importantly misses the point of music altogether.
The best albums and music have a visceral appeal. An unbiased opinion (if such a thing is even possible) may show those albums to be crap, but if it floats your boat, who cares.
Like great literature, some albums ought to be listened to because they played a significant role in the development of music. Anyone whose ever read (or tried to read) Ulysses by Joyce knows that great literature can be incomprehensible crap. The same may hold true for Coltrane and Davis, but that doesn't mean it's not worth a listen.
If you own them because you think you must, you're an idiot, but if you bought them out of a sense of exploration or personal growth, good for you. Maybe they weren't what you expected, but you're better for having tried.
